1.9.15

The rage of Caliban ...



























The artist is the creator of beautiful things.
To reveal art and conceal the artist is art's aim.
The critic is he who can translate into another
manner or a new material his impression of
beautiful things. The highest as the lowest form
of criticism is a mode of autobiography. Those
who find ugly meanings in beautiful things are
corrupt without being charming. This is a fault.
Those who find beautiful meanings in beautiful
things are the cultivated. For these there is hope.
They are the elect to whom beautiful things mean
only beauty. There is no such thing as a moral
or an immoral book. Books are well written, or
badly written. That is all.

The nineteenth century dislike of realism is the
rage of Caliban seeing his own face in a glass.
The nineteenth century dislike of romanticism
is the rage of Caliban not seeing his own face
in a glass. The moral life of man forms part of
the subject-matter of the artist, but the morality
of art consists in the perfect use of an imperfect
medium. No artist desires to prove anything. Even
things that are true can be proved. No artist has
ethical sympathies. An ethical sympathy in an
artist is an unpardonable mannerism of style.
No artist is ever morbid. The artist can express
everything. Thought and language are to the artist
instruments of an art. Vice and virtue are to the
artist materials for an art. From the point of view of
form, the type of all the arts is the art of the musician.
From the point of view of feeling, the actor's craft is
the type. All art is at once surface and symbol.
Those who go beneath the surface do so at their
peril. Those who read the symbol do so at their peril.
It is the spectator, and not life, that art really mirrors.
Diversity of opinion about a work of art shows that
the work is new, complex, and vital. When critics
disagree, the artist is in accord with himself. We
can forgive a man for making a useful thing as long
as he does not admire it. The only excuse for making
 a useless thing is that one admires it intensely.

All art is quite useless.
OSCAR WILDE

 




 

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